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| Bernard Ollis is one of those painters who elude easy categorization. This is at best a mixed blessing, because art historians love to be able to define an artist as an expressionist, a realist, a surrealist, or some plausible combination. Ollis is a little of each, but ultimately none of the above. He is a figurative painter, but like most established artists is willing to admit that all art is abstract.
He is a painter of people, but with none of the angst and pessimism that seem to be standard features of those artists who spend their careers studying the Human Condition. There is a lot of humour in Ollis’s work, but none of the smug, all-pervasive irony beloved of the Postmodernists. He is, in short, an awkward proposition, and his paintings revel in a kind of studied awkwardness. Extract from an essay by John McDonald art critic for the Sydney Morning Herald. (For full essay see Bernard Ollis - Profile) |
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